A\u015f\u0131k Mahzuni, kendisini „Ben Alevi bir aileden gelme oldu\u011fum i\u00e7in k\u00f6k k\u00fclt\u00fcr\u00fcmde Alevi ve Bekta\u015filik yatar. Siyasi rengime gelince, ben demokrat solcu bir ozan\u0131m. Ancak insan sevgisi din anlay\u0131\u015f\u0131mda en b\u00fcy\u00fck isimdir\u201d<\/strong> diye tarif eder…

1939’da Mara\u015f’\u0131n Ber\u00e7enek K\u00f6y\u00fc\u2019nde do\u011fan A\u015f\u0131k Mahsuni \u015eerif’in, yolculu\u011fu, Horasan’dan, Hozat’a, oradan Hatay’a kadar uzan\u0131yor. 17 May\u0131s 2002\u2019de ise K\u00f6ln’de bir hastanede can tenden ayr\u0131l\u0131yor. Bug\u00fcn ise Ser\u00e7e\u015fme’de (Hac\u0131bekta\u015f\u2019ta) Pir’in (Hac\u0131 Bekta\u015f Veli\u2019nin) yan\u0131nda ya\u015famaya devam ediyor\u2026<\/p>\n\n\n\n

\u015eerif C\u0131r\u0131k olarak do\u011fan, „A\u015f\u0131k“<\/strong> ve „Mahzuni“<\/strong> olan, A\u015f\u0131k Mahzuni \u015eerif, Pir’in yan\u0131na olan yolculu\u011funa \u00e7\u0131kmadan \u00f6nce „Mahsuni Baba“<\/strong>d\u0131r… \u00c7\u00fcnk\u00fc o bir halk bilgesidir. Kan ba\u011f\u0131 olmad\u0131\u011f\u0131, soydan gelmedi\u011fi i\u00e7in „dede“<\/strong> olamamas\u0131, onun Alevi bilgesi bir „baba“<\/strong> olmas\u0131n\u0131n \u00f6n\u00fcnde engel de\u011fildir.

O, ozanl\u0131k gelene\u011fi bilgeli\u011fin \u00fczerine oturur. Haks\u0131zl\u0131\u011fa ba\u015f kald\u0131rmayan, halk\u0131n dile getiremedi\u011fi konularda \u00f6nc\u00fc olamayan, yol g\u00f6stermeyen, bilge yan\u0131 olmayan, yaln\u0131zca „ku\u015f, b\u00fclb\u00fcl ve \u00e7i\u00e7ek“<\/strong> diyen ozanl\u0131\u011f\u0131, ozanl\u0131k olarak kabul etmez. Bunlar\u0131 „g\u00f6n\u00fcl e\u011flendirici“<\/strong> sanat\u00e7\u0131 veya „\u00e2\u015f\u0131k adam\u0131“<\/strong> sanat\u00e7\u0131 olarak niteler. Mahzuni’de, \u015eah Hatayi, Yunus, Pir Sultan, Kul Himmet, Nesimi, A\u015f\u0131k Veysel, Daimi gibi \u00f6nemli Alevi ozanlar\u0131n\u0131n tamam\u0131n\u0131n deyi\u015flerindeki, \u015fiirlerindeki b\u00fcy\u00fc ve felsefik arka plan hep olmu\u015ftur. Bu „b\u00fcy\u00fc“<\/strong> onun yazd\u0131\u011f\u0131 par\u00e7alar\u0131 kendisi seslendirirken de, ba\u015fkas\u0131 seslendirirken de kolay kolay bozulmaz.  Nitekim, \u0130brahim Tatl\u0131ses’ten Ahmet Kaya’ya, Mahsun K\u0131rm\u0131z\u0131g\u00fcl’den Murat G\u00f6\u011febakan’a, Selda Ba\u011fcan’dan bir\u00e7ok pop sanat\u00e7\u0131s\u0131na kadar onun eserlerini okuyanlarda da ayn\u0131 b\u00fcy\u00fc devam eder\u2026

Yazd\u0131\u011f\u0131 \u015fiirlerin, s\u00f6yledi\u011fi deyi\u015flerin ve t\u00fcrk\u00fclerin, her d\u00f6neme damgas\u0131n\u0131 vurmas\u0131nda felsefesinin, derinli\u011finin ve bilgeli\u011finin belirleyicili\u011fi hep olmu\u015ftur. Davut Sulari’nin sesini, A\u015f\u0131k Veysel’in m\u00fclayimli\u011fini ve Pir Sultan felsefesi ile harmanlad\u0131\u011f\u0131n\u0131 s\u00f6yleyen \u00c2\u015f\u0131k Mahzuni, ayn\u0131 zamanda, Karacao\u011flan’da sevda, Dadalo\u011flu’nda destan, Pir Sultan’da ba\u015fkald\u0131r\u0131, K\u00f6ro\u011flu’nda kavga olan t\u00fcrk\u00fcn\u00fcn de kendine has yeni yap\u0131c\u0131s\u0131d\u0131r. B\u00f6ylesine g\u00fc\u00e7l\u00fc kaynaklardan feyz alan t\u00fcrk\u00fc yap\u0131c\u0131n\u0131n t\u00fcrk\u00fcleri, bundan dolay\u0131 hayata dairdir ve hayat\u0131n i\u00e7inde ya\u015far, oradan beslenir, dilden dile, ku\u015faktan ku\u015fa\u011fa akar. Etki alan\u0131 yaln\u0131zca Alevilerle s\u0131n\u0131rl\u0131 kalmaz, onun t\u00fcrk\u00fclerinin etki alan\u0131 insan ve do\u011fa sevgisinin oldu\u011fu herkese uzan\u0131r. Bundan dolay\u0131 de\u011fil midir ki, \u201cKolumda kelep\u00e7e, boynumda zincir“<\/strong>, „Yuh yuh“<\/strong>, „Amerika katil, katil“<\/strong>, „Erim erim eriyesin“<\/strong>, „Bilmem s\u00f6ylesem mi, s\u00f6ylemesem mi“, \u201c<\/strong>Han Sarho\u015f Hanc\u0131 Sarho\u015f\u201d, „Ben Hoca de\u011filim muska yazmad\u0131m“<\/strong>, „\u0130\u015fte gidiyorum \u00e7e\u015fmi siyah\u0131m“<\/strong>, „Dom dom kur\u015funu“<\/strong> ya da \u201cBir daha gel, gel Samsun\u2019dan\u201d<\/strong> par\u00e7alar\u0131 hep dillerdedir.

***<\/strong>

Yaln\u0131zca, haks\u0131zl\u0131klara isyan\u0131n\u0131 dile getiren t\u00fcrk\u00fcleri s\u00f6yledi\u011fi i\u00e7in, be\u015f y\u0131l\u0131n\u0131 cezaevlerinde ge\u00e7iren, g\u00f6rd\u00fc\u011f\u00fc i\u015fkencelerden dolay\u0131 ayak parmaklar\u0131ndaki b\u00fct\u00fcn t\u0131rnaklar\u0131 d\u00f6k\u00fclen, hakk\u0131nda otuza yak\u0131n dava a\u00e7\u0131lan, \u00fc\u00e7 kez \u00f6l\u00fcmden d\u00f6nen ve ya\u015fam\u0131n\u0131n son 6 y\u0131l\u0131nda s\u00fcrekli rahats\u0131zlanan Mahzuni’nin, son yolculu\u011fa \u00e7\u0131kt\u0131\u011f\u0131 K\u00f6ln’deki hastanede doktor Mahzuni’nin yak\u0131nlar\u0131na „Mahsuni’nin d\u00f6v\u00fcl\u00fcp, d\u00f6v\u00fclmedi\u011fini“<\/strong> sorar. \u00c7\u00fcnk\u00fc, hastan\u0131n bir\u00e7ok organ\u0131nda darp izi, v\u00fccudunda da elektrik tespit edilmistir. T\u00fcrk\u00fc s\u00f6ylemenin, insani, b\u00fct\u00fcn yorumlar\u0131n merkezine koyman\u0131n, „do\u011fu-bat\u0131-gavur-m\u00fcsl\u00fcm, bir bana“<\/strong> demenin bedelini fazlas\u0131yla \u00f6deyen, Mahzuni Baba, Hakk’a y\u00fcr\u00fcd\u00fc\u011f\u00fcnde „devletin d\u00fczenini y\u0131kmaya te\u015febb\u00fcs“<\/strong> su\u00e7undan yarg\u0131lan\u0131yordu. Gerek\u00e7esi mi? 2001 y\u0131l\u0131nda bir dergide yazd\u0131\u011f\u0131, „hem K\u0131z\u0131lba\u015f hem de Alevi’yim“<\/strong> ba\u015fl\u0131kl\u0131 bir yaz\u0131yd\u0131. Mahzuni bu yaz\u0131 da „Elhamd\u00fclillah K\u0131z\u0131lba\u015f’\u0131m ve laikim. Ben de\u011fil, yedi s\u00fclalem K\u0131z\u0131lba\u015f\u2019t\u0131r. Bir su\u00e7 varsa o da dedemdedir“ <\/strong>diyordu.<\/p>\n\n\n\n

Necdet Sara\u00e7<\/strong><\/p>\n\n\n\n

(\u0130lk yay\u0131nlanma tarihi: <\/em>20 May\u0131s 2005, Birg\u00fcn)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

A\u015f\u0131k Mahzuni, kendisini „Ben Alevi bir aileden gelme oldu\u011fum i\u00e7in k\u00f6k k\u00fclt\u00fcr\u00fcmde Alevi ve Bekta\u015filik yatar….<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_disable_autopaging":true},"categories":[1,3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=\/wp\/v2\/posts\/807"}],"collection":[{"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=807"}],"version-history":[{"count":1,"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=\/wp\/v2\/posts\/807\/revisions"}],"predecessor-version":[{"id":808,"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=\/wp\/v2\/posts\/807\/revisions\/808"}],"wp:attachment":[{"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.necdetsarac.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}